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The special effects were top notch, as well as the location where the majority of the second half takes place.

This is a US-Australian co-production. Mel Gibson returned to the director's chair with a bang after exactly a decade.

It got six Oscars nominees, so let's wait and see how many awards it grabs. It was the World War II theme, based on a real person and events.

It tells the story of an American youngster named Desmond Doss, who joins the army to contribute to his nation. But for his religious point of view, he struggles during the training.

After managing to make through, the remaining film focused to reveal his bravery on the battlefield against the Japanese armed forces at Okinawa in a place called Hacsaw Ridge.

The story was based on one of the ten commandments. Doss, who strongly believes in that carries the same ideology to the combat zone.

But all the initial part of the film reflects why he is very on to it. Especially after a fight with his brother in his childhood, followed by saving a severely injured man in a road accident just before deciding to join the army.

So it is like both, a war film, as well as an anti-war theme. Most importantly, it tells us the bravery of a man, like of something Gandhi in the battlefield.

He did it in what he had believed, but my perspective differs. I liked the film, as a biopic and the message it delivered. Very entertaining too, but when it comes to Doss' belief, I think it was flawed.

In the first place he would have not joined the army if he's true to the commandment. That's the basic rule of the commandment if one wants to adopt it.

He was just one of the unique person with such idea and luckily succeeded following it in a hostile situation. Only if you think all his episodes from an atheist perspective, that's how you would feel.

One of the major reasons for that is, when he saves his men by letting his enemy die. But appreciable effort, at least from the Americans perspective.

A true hero for his nation. One of the best war films ever. Instead of saying a must see film, I would say don't miss it. Humor, action and adventure well plotted into this great movie.

The action is just great. A nice surprise. I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. An easy movie for a brainless evening.

Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet.

After all, Eggsy has the needed physicality we are told he is an exceptional gymnast and roguish spunk to join the ranks of the seemingly understaffed spy outfit.

Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin Mark Strong as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine Samuel L. He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action.

It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp. Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush.

As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb.

Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. Gary 'Eggsy' Unwin played by Taron Egerton is a normal working class 18 year old from London who gets recruited into a super secret spy organisation.

Humour comes as he tries to mix with these posh and suave upper-class stereotypes. Matthew Vaughn has included his typical ultra stylised violence 'Kick Ass' and it does boast a good sound track.

There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better.

The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd 'Free Bird' whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources.

Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell. Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings.

I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons. More so than the main villain which I found a bit bland at times.

On the whole I enjoyed this movie a lot. However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie.

There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent minutes as far as I am concerned. This is indeed a great piece of superhero entertainment.

If superheroes and action, plenty of action, is within your sphere of interest then this movie truly delivers.

There is even a story to support the stunts and special effects fireworks that is not too shabby. As a matter of fact, for being a Marvel-based movie, the story is more than acceptable.

As the blurb states, our hero is meeting a few adaptation issues after having been awaken into the modern world.

Luckily the movie do not fall into the trap of making some silly comedy out of it but keeps these parts at a reasonable level where it stays funny without ruining the movie or disrupting the pace of the real story.

The story? Simple and not very original with the usual slew of traitors strewn about, you cannot trust anyone, our hero becomes a fugitive etc etc bla bla bla.

It is however a pretty straightforward one which works quite well and is not getting bogged down in silly emotions and general idiotic behavior by our hero like for instance several instalments of Spider Man have done.

Actually this is one thing that I really like with this movie. The hero is a true hero from start to finish without any of that modern Hollywood crap where the hero must be tarnished in one way or another to satisfy the directors and producers.

As I wrote above if you like superhero action movies then there is little not to like with this one. Acceptable story, plenty of action, good special effects, a cool chick hey I am but an ordinary male, I like female actors in tight costumes and a clear hero.

None of the actors are really doing a bad job of it and in general the acting is as good as one can expect when portraying characters that, after all, are be totally ludicrous in real life.

Its 8 out of 10 rating at IMDb at the time of writing this is well deserved. I am astonished that some people seem to have voted it down with a one star rating.

It is a Marvel-based movie. You might feel it is more or less good but the style of the movie should not really be a major surprise to anyone and there is no way in hell that it deserves a one star rating unless someone really watched the wrong movie by accident.

This is not a bad movie but neither astonishing. Fun and entertaining and with great FX, as expected. The Winter Soldier has all the action, quirky one-liners, and bold adventure that we have come to expect of a Marvel movie.

Scarlett Johansson is perfect in this role. Is this necessary? Will the Captain remain faithful to a 80 year-old woman on her deathbed OR engage in a date with his next door neighbor?

Plus the tension between him and Natasha Romanoff is intense. This comes off as forced, awkward, and pointless. Not him, the other him.

Well…they both were dead — not really — but now they are both alive. In this film we get to do this with two characters instead of one.

The explosions are nice, the action scenes are intense but the real enjoyment of the film is where skill and wits are relied on more than gadgets and explosions.

Patriotism is a bit more nuanced this time around and it's better for it. The cast is great, no awkward acting moments to report.

Till the end of the road. Now this is more like it, after the disappointments that have been Iron Man 2 and Thor 2, Captain America gets a sequel of substance and sparks.

It manages to blend everything required to make a great superhero film, lashings of derring-do heroics, action bonanza, adventure, some sexy sizzle and of course the key, a story with brains and mystery elements.

True enough to say that the considerable contributions of Black Widow and Falcon and Nick Fury of course keeps this as a lively Avengers spin-off movie, which is no bad thing at all, but it's still the Captain who dominates things, marking himself out as a viable main man.

In fact the whole film has the old school comic book feel, yes there's the grandiose pyrotechnics - unsurprisingly amped up for the big finale, but there's an adherence to serial thriller conventions that is, well, rather warm and comforting.

With the Captain getting some surprising amount of emotional depth and humanity courtesy of the perfectly cast Chris Evans, the viewers have much to care about.

Themes of Bondian world domination and global security crisis keep things nice and fanciful, while the unheralded work by the effects guys is modern cinematic art.

There's some adherence to genre formula, and a bit of Marvel universe copy-catting going on, but this is one of the best films from the Marvel stable.

A rich sequel indeed - more Captain America please. The real meat of the movie, thankfully, has some more substance behind it.

God do I ever hate 3D before committing to any particular ranking. I always try to keep my reviews spoiler free, but being that in most parts of the world it isn't out yet, I'll be extra careful to do so with this one.

Anthonie Mackie Falcon rule the film, and do so without any shortcomings. That's not to say that they couldn't physically have done any better, but their roles were all seamless as far as my blurred vision could tell, which is not an accolade I'd often give.

Directors Joe and Anthony Russo also managed to cameo a couple of Community alumni, which will never be a bad thing in my eyes, even if they're just one-off, throwaway jokes.

But the fact that I'm really fucking excited for that second viewing speaks in its favour if nothing else does.

After that it's scene after scene of amazing action coupled with a complex story about heroes and villains being caught in a system that is too big to bring down, unless you're as good and level headed as Steve Rogers.

This isn't just a great comic book movie. It's a great movie; period. Using a spy thriller style mixed with martial arts and gunplay, set to the perfect music score, I would rank The Winter Soldier as one of my favourite action films hands down.

Madina Nocturnal Animals Nocturnal Animals ganzer film deutsch, Nocturnal Animals online stream - Ganzer film, Nocturnal Animals ganzer film online stream - Deutsch We live in a country where our current presidential candidates fail to compare to our current president.

We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future.

Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals.

The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by.

Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability.

No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer.

A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you.

Heck, regardless, Nocturnal Animals is one hell of a trip. Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life.

Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film.

Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality.

Tom Ford pulls this same feat but just with the act of watching a film. With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create.

This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas.

The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way.

First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child.

Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton.

Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox.

We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble Jake Gyllenhaal and Amy Adams give us exactly what we expect from them.

Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives.

Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.

I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either.

Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee. Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story.

From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt.

This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex.

Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name.

Reading it, she realises the tough time he'd with their separation. Following the end of the book, she encounters an unexpected truth which could affect her life forever.

A dual layer story. One was fiction and the other one in the real world. But the fictional tale highly influences the main narration and that's what I call the genuine writing.

So the credit must go to none other than the original author. I have seen lots of revenge films, even it can be compared to 'Three Colours: White', but the major difference is the sweet revenge.

For that alone the film was awesome. The climax was even better. If you understand the narration, you will enjoy it for sure. The filmmaking should have been a bit better.

Excluding that the film is not to be skipped. Nocturnal Animals starts out very strong. The main character lives a luxurious life surrounded by some very striking pieces of art art pieces which, throughout the story, make things even more thrilling and surreal.

She reads her ex-boyfriend's novel which quite honestly makes us feel like we're in a bad dream. The way the novel starts out feels like Michael Haneke's Funny Games.

Its opening scene with Aaron Taylor-Johnson so brilliantly builds in tension with his character's mind games. The story however turns into a bit of a tame crime mystery held up with a sort of fun performance from Michael Shannon.

The potential to be a very cryptic thriller is there, but decides instead to put all the pieces together for us.

As a Lynch fan, this movie made me crave something stranger. I really wanted to be left mystified but instead I got an ending that was kind of obvious.

I guess that'd be this world. Love Hd Stream - p - M2V. Home Recomended Donnerstag, Oktober New. Solo: A Star Wars Story ganzer film deutsch stream komplett.

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Justice League Dezember im Speaking John Malkovich opinion - dieses Video gibt einen kleinen Learn more here in die Dreharbeiten und die tollen Schauplätze. Bei Textkritiken gilt es zu beachten: Die Kritik sollte deinen persönlichen, selbst formulierten Eindruck widerspiegeln und muss zwischen und Zeichen lang sein. You also have the option to opt-out of these cookies. Macht alles in Einem einen guten Eindruck und Sinn! Bestimmte Fragen kann man sich ja durchaus selbst beantworten, Wie z. Gesamt: Hätte man jetzt noch eine gute Story parat, wärs fast ein perfekter Weltraumfilm geworden. Stellt die Brücke her!! Filme am Ostermontag Just click for source 9. Rogue One: A Star Wars Story Streaming Film p, p, DvdRip, Hight Quality Schau jetzt:Rogue One: A Star Wars Story Deutsch Ganzer Film Online HD. In Lucasfilms epischen Abenteuer Rogue One: A Star Wars Story, schließt sich Audio languages: English, Deutsch Format: Prime Video (streaming online video) Ich hab den Film damals natürlich im Kino gesehen, jetzt noch mal Zuhause und sondern trägt ihren interessanten Teil zur ganzen "Star Wars"-​Saga bei. Rogue One: A Star Wars Story jetzt legal online anschauen. Der Film Lucasfilm präsentiert den ersten Star Wars Stand-Alone-Film. Deutsch, Englisch (OV). Rogue One: A Star Wars Story - der Film - Inhalt, Bilder, Kritik, Trailer, Denn neben Jyn Erso nimmt eine ganze Gruppe von Widerständlern den Kampf gegen​. star wars: rogue one stream deutsch. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. The story was like that had Filmcasino in https://delhiescortsguide.co/hd-filme-online-stream-deutsch/avengers-grimm-trailer-deutsch.php half way. The way the novel starts out feels like Michael Haneke's Article source Games. He did it in what he had believed, but my perspective differs. Him standing up to Learn more here Ren in a duel made Jury Voice Germany respect his character a lot Blackhat Stream.

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Fantastic Beasts and Where to Find Them

When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there.

After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it.

But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest. The story was simple, but the action-adventures were good.

Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat.

Though there were cameos. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

Went to an afternoon screening and it was packed. From the very first scene to the last , I was in awe.

This is the best movie I have seen in a long time. The last 30 minutes of the film, I had tears rolling down my cheeks.

After it ended, it got a 5 minute standing ovation. Braveheart is my all time favourite movie and have seen it over times. I have seen it 6 times now, and cried every time.

It is such an emotional film. Hugo Weaving was robbed of an Oscar nomination. Andrew Garfield blew my away with his performance and it is Vince Vaughn's best performance as well.

It is the best film of That's not it, the film was well made with the wonderful cast and their great performances.

The special effects were top notch, as well as the location where the majority of the second half takes place.

This is a US-Australian co-production. Mel Gibson returned to the director's chair with a bang after exactly a decade.

It got six Oscars nominees, so let's wait and see how many awards it grabs. It was the World War II theme, based on a real person and events.

It tells the story of an American youngster named Desmond Doss, who joins the army to contribute to his nation.

But for his religious point of view, he struggles during the training. After managing to make through, the remaining film focused to reveal his bravery on the battlefield against the Japanese armed forces at Okinawa in a place called Hacsaw Ridge.

The story was based on one of the ten commandments. Doss, who strongly believes in that carries the same ideology to the combat zone.

But all the initial part of the film reflects why he is very on to it. Especially after a fight with his brother in his childhood, followed by saving a severely injured man in a road accident just before deciding to join the army.

So it is like both, a war film, as well as an anti-war theme. Most importantly, it tells us the bravery of a man, like of something Gandhi in the battlefield.

He did it in what he had believed, but my perspective differs. I liked the film, as a biopic and the message it delivered.

Very entertaining too, but when it comes to Doss' belief, I think it was flawed. In the first place he would have not joined the army if he's true to the commandment.

That's the basic rule of the commandment if one wants to adopt it. He was just one of the unique person with such idea and luckily succeeded following it in a hostile situation.

Only if you think all his episodes from an atheist perspective, that's how you would feel. One of the major reasons for that is, when he saves his men by letting his enemy die.

But appreciable effort, at least from the Americans perspective. A true hero for his nation. One of the best war films ever.

Instead of saying a must see film, I would say don't miss it. Humor, action and adventure well plotted into this great movie.

The action is just great. A nice surprise. I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. An easy movie for a brainless evening.

Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet.

After all, Eggsy has the needed physicality we are told he is an exceptional gymnast and roguish spunk to join the ranks of the seemingly understaffed spy outfit.

Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin Mark Strong as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine Samuel L.

He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action.

It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp. Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush.

As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb.

Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. Gary 'Eggsy' Unwin played by Taron Egerton is a normal working class 18 year old from London who gets recruited into a super secret spy organisation.

Humour comes as he tries to mix with these posh and suave upper-class stereotypes. Matthew Vaughn has included his typical ultra stylised violence 'Kick Ass' and it does boast a good sound track.

There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better.

The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd 'Free Bird' whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources.

Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell.

Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings. I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons.

More so than the main villain which I found a bit bland at times. On the whole I enjoyed this movie a lot.

However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie.

There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent minutes as far as I am concerned. This is indeed a great piece of superhero entertainment. If superheroes and action, plenty of action, is within your sphere of interest then this movie truly delivers.

There is even a story to support the stunts and special effects fireworks that is not too shabby. As a matter of fact, for being a Marvel-based movie, the story is more than acceptable.

As the blurb states, our hero is meeting a few adaptation issues after having been awaken into the modern world. Luckily the movie do not fall into the trap of making some silly comedy out of it but keeps these parts at a reasonable level where it stays funny without ruining the movie or disrupting the pace of the real story.

The story? Simple and not very original with the usual slew of traitors strewn about, you cannot trust anyone, our hero becomes a fugitive etc etc bla bla bla.

It is however a pretty straightforward one which works quite well and is not getting bogged down in silly emotions and general idiotic behavior by our hero like for instance several instalments of Spider Man have done.

Actually this is one thing that I really like with this movie. The hero is a true hero from start to finish without any of that modern Hollywood crap where the hero must be tarnished in one way or another to satisfy the directors and producers.

As I wrote above if you like superhero action movies then there is little not to like with this one. Acceptable story, plenty of action, good special effects, a cool chick hey I am but an ordinary male, I like female actors in tight costumes and a clear hero.

None of the actors are really doing a bad job of it and in general the acting is as good as one can expect when portraying characters that, after all, are be totally ludicrous in real life.

Its 8 out of 10 rating at IMDb at the time of writing this is well deserved. I am astonished that some people seem to have voted it down with a one star rating.

It is a Marvel-based movie. You might feel it is more or less good but the style of the movie should not really be a major surprise to anyone and there is no way in hell that it deserves a one star rating unless someone really watched the wrong movie by accident.

This is not a bad movie but neither astonishing. Fun and entertaining and with great FX, as expected. The Winter Soldier has all the action, quirky one-liners, and bold adventure that we have come to expect of a Marvel movie.

Scarlett Johansson is perfect in this role. Is this necessary? Will the Captain remain faithful to a 80 year-old woman on her deathbed OR engage in a date with his next door neighbor?

Plus the tension between him and Natasha Romanoff is intense. This comes off as forced, awkward, and pointless. Not him, the other him.

Well…they both were dead — not really — but now they are both alive. In this film we get to do this with two characters instead of one.

The explosions are nice, the action scenes are intense but the real enjoyment of the film is where skill and wits are relied on more than gadgets and explosions.

Patriotism is a bit more nuanced this time around and it's better for it. The cast is great, no awkward acting moments to report.

Till the end of the road. Now this is more like it, after the disappointments that have been Iron Man 2 and Thor 2, Captain America gets a sequel of substance and sparks.

It manages to blend everything required to make a great superhero film, lashings of derring-do heroics, action bonanza, adventure, some sexy sizzle and of course the key, a story with brains and mystery elements.

True enough to say that the considerable contributions of Black Widow and Falcon and Nick Fury of course keeps this as a lively Avengers spin-off movie, which is no bad thing at all, but it's still the Captain who dominates things, marking himself out as a viable main man.

In fact the whole film has the old school comic book feel, yes there's the grandiose pyrotechnics - unsurprisingly amped up for the big finale, but there's an adherence to serial thriller conventions that is, well, rather warm and comforting.

With the Captain getting some surprising amount of emotional depth and humanity courtesy of the perfectly cast Chris Evans, the viewers have much to care about.

Themes of Bondian world domination and global security crisis keep things nice and fanciful, while the unheralded work by the effects guys is modern cinematic art.

There's some adherence to genre formula, and a bit of Marvel universe copy-catting going on, but this is one of the best films from the Marvel stable.

A rich sequel indeed - more Captain America please. The real meat of the movie, thankfully, has some more substance behind it.

God do I ever hate 3D before committing to any particular ranking. I always try to keep my reviews spoiler free, but being that in most parts of the world it isn't out yet, I'll be extra careful to do so with this one.

Anthonie Mackie Falcon rule the film, and do so without any shortcomings. That's not to say that they couldn't physically have done any better, but their roles were all seamless as far as my blurred vision could tell, which is not an accolade I'd often give.

Directors Joe and Anthony Russo also managed to cameo a couple of Community alumni, which will never be a bad thing in my eyes, even if they're just one-off, throwaway jokes.

But the fact that I'm really fucking excited for that second viewing speaks in its favour if nothing else does. After that it's scene after scene of amazing action coupled with a complex story about heroes and villains being caught in a system that is too big to bring down, unless you're as good and level headed as Steve Rogers.

This isn't just a great comic book movie. It's a great movie; period. Using a spy thriller style mixed with martial arts and gunplay, set to the perfect music score, I would rank The Winter Soldier as one of my favourite action films hands down.

Madina Nocturnal Animals Nocturnal Animals ganzer film deutsch, Nocturnal Animals online stream - Ganzer film, Nocturnal Animals ganzer film online stream - Deutsch We live in a country where our current presidential candidates fail to compare to our current president.

We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future.

Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals.

The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by.

Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability.

No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer.

A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you.

Heck, regardless, Nocturnal Animals is one hell of a trip. Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life.

Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film.

Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality.

Tom Ford pulls this same feat but just with the act of watching a film. With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create.

This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas.

The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way.

First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child. Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton.

Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox.

We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble Jake Gyllenhaal and Amy Adams give us exactly what we expect from them.

Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives.

Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.

I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either.

Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee.

Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story.

From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt. This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex.

Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name.

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